The Morning Star Shop - Online now

 

Job vacancy at IER: IT Development and Communications Assistant

1 job vacancy at Unite

 

Donate to the Morning Star Fighting Fund

Subscribe to the Morning Star Mailing List

Buy the Morning Star in print

Progressive Web Listings

Read about EDM 1334

 

 

The Morning Star on Twitter Friends of the Morning Star on Facebook

 

Ken Gill Memorial Fund

 

 

The London Progressive Journal is seeking regular contributors - contact us now

P.D. Crofts - Moments Before The Crash



 

Josef Herman: Warsaw, Brussels, Glasgow, London, 1938-1944

Josef Herman's early, cathartic work should not be missed

Red Army Faction Blues

Red Army Faction Blues persuasively blends fact and fiction in its account of Germany's turbulent times from the '60s to the '80s, writes Paul Simon

Josef Herman: Warsaw, Brussels, Glasgow, London, 1938-1944

Josef Herman's early, cathartic work should not be missed

The Girl With The Dragon Tattoo (18)

Directed by Niels Arden Oplev
Thursday 11 March 2010
Lisbeth Salander

Lisbeth Salander

Rape, murder, nazism, computer hacking and capitalist corruption and greed are just some of the themes that feature in this explosive Swedish thriller based on the best-selling first book in the Millennium trilogy by Stieg Larsson.

His novels are all page-turners and centre on the most outlandish and kick-arse female sleuth to date, Lisbeth Salander, a young, tattooed and ruthless computer hacker.

This is a fairly faithful adaptation of Larsson's work The Girl With A Dragon Tattoo, which is actually called Men Who Hate Women in Sweden but was changed for the international market for obvious reasons.

Discredited journalist Mikael Blomkvist faces a prison sentence for libelling a corrupt Swedish industrialist. Blomkvist is hired by a member of a wealthy dynasty to solve the disappearance of his great niece 40 years ago. He teams up with Salander and the pair uncover a dark and sinister world involving anti-semitism and ritualistic murder.

This is an intelligent, intriguing and compelling crime thriller and is just as violent as the book. It pulls no punches - for example, we watch Salander being viciously abused by her warped and perverted guardian.

Director Oplev navigates the complex plot with ease - all the different threads make complete sense by the end.

The character of Salander is clearly drawn out in Larsson's book and newcomer Noomi Rapace was inspired casting. Michael Nyqvist is perfect as her foil, the middle-aged Blomkvist.

It is a grave shame that Stieg Larsson didn't get to witness or enjoy the international success of his Millennium trilogy - more than 10 million copies have been sold worldwide. He died before the first work was published.

Sadly, Hollywood is reportedly now planning a remake, so it would be best to see it now before it is brutally butchered.

If you have enjoyed this article then please consider donating to the Morning Star's Fighting Fund to ensure we can keep publishing your paper.

Donate to the Fighting Fund here