Ian Parks grew up in a South Yorkshire mining family - as his new volume of poetry The Exile House hits the shelves, Jody Porter finds out his sources of inspiration.
This weekend sees a unique celebration of cinema at Glasgow's Southside Film Festival
An expose of the military-industrial complex shows how its actions grease the transfer of resources from the poorest to the richest globally
The Morning Star's weekly poetry column, edited by Jody Porter.
An old, mad, blind, despised, and dying king,
Princes, the dregs of their dull race, who flow
Through public scorn, — mud from a muddy spring,
Rulers who neither see, nor feel, nor know,
But leech-like to their fainting country cling,
Till they drop, blind in blood, without a blow,
A people starved and stabbed in the untilled field,
An army, which liberticide and prey
Makes as a two-edged sword to all who wield,
Golden and sanguine laws which tempt and slay;
Religion Christless, Godless — a book sealed;
A Senate, — Time’s worst statute unrepealed,
Are graves from which a glorious Phantom may
Burst, to illumine our tempestuous day.
The militarisation of Remembrance Day may be designed to deepen emotional support for an age of apparently endless imperial slaughter, but every year the contradictions become more blatant and more ridiculous.
If only Emperor Adolf would call a halt
at Prague, say,
while all he's done's remove really
(let's face it) Versailles' injustices,
we, at peace
with him and our consciences,
could happily holiday
in Wien,
Baden Baden
or Köln at Karneval.
on a deserted beach
sore, shrivelled and bewildered.
Wanders vainly in a daze,
looking for his mates,
any familiar bars, clubs, hotels.
Exhausted sooner than usual,
accepts a ride in a hovercapsule,
which circles and dips lower until
he manages to step inside.
by Paul Birtill

